A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.

自己哄自己，忍忍就过去了，忍忍我就忘了，只需要忍一忍忍一忍就像当

这样一个令人既憎恨又怜悯的角色，似乎在出场就预示着墙头草般的命运，不仅告知观众好戏即将开始，也让观众随之看到娄宇健演绎双重人格的信手拈来

有些事，没法开口，终是心里有数，恍如本身私密于心的那些爱情杂事，尘封在记忆的底端，却时不时不由自主，想拿出往返味一番。

队看一下刘世军，田景兰不同意她去部队。米艳艳在剧团里也是精神恍惚...